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Eight students smiling and forming M hand signs in front of a Michigan Social Work step-and-repeat banner during SEED Week in McGregor Commons.

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September 30, 2026

F26 Site Visit & Field Connections Sign-Up Deadline

All F26 students must schedule their field site visit and field connections sign-up by today.

The site visit is a requirement to pass SW515/SW691.

September 30, 2026

Prospective Student Session - Connect Virtually with a Current MSW Student

Join current MSW students from the Office of Student Services and Enrollment Management for a session with the intended audience of prospective students.
September 30, 2026

Sensorial Gardens ~ Writing into Relation

Facilitator: Stephanie Heit

September 30, 2026

Grand Rounds - Lisa Wexler and Roberta Moto

Please attend a presentation (with pizza):

Working with Indigenous Communities to Prevent Suicide and Harms from Substance Use: Examples and Reflections from Three Decades of Doing Engaged and Participatory Research

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Artwork at the SSW

…and acquainted with grief

Joan Snyder (American) , b. 1940

1998
Color etching, aquatint, woodcut, and linocut, hand-inked by the artist, on Rives BFK paper
Printer: Bob Townsend, R. E. Townsend Studio, Georgetown, Massachusetts
Edition: 10

SSWB 3841

In her early career, Joan Snyder incorporated all manner of material in her paintings such as herbs and vegetal matter, samples of cloth and sewing material, textural accessories such as paper mache and glitter. In addition to diverse material, her ideas often came from diverse art forms such as music, poetry and words. Snyder’s drive to experiment with materials and technique is a hallmark of her career as we see in this print. Here she references details from her earlier work in textures such as silk, velvet, fur, blossoms; and art forms such as songs, symphonies and elegy. She also experimented with printing when she made this work combining two opposite techniques, intaglio and relief. What is meant by this? Critics suggest that this comprehensive collection of material, art forms, and techniques mirror the complexity of human experience or what one writer called the lovely mess of living.

Many of her works from the 1990s, honor the memory of her recently deceased parents and friends. This print was created in response to the death of her mother, who died of breast cancer and it references a multi-media diptych of the same title done the previous year. In the earlier work, the left panel is covered with words and the right with floral like shapes and marks. This print maintains that division albeit on one sheet of paper. Words in this print such as anxiety, PMS, pain, elegy, and breast, reference personal and communal emotions as well as experiences of suffering and loss. The arc of Snyder’s career goes through feminist anger, sorrow and loss, new love, and lately, calm. Another of her paintings is called Can We Turn Our Rage to Poetry? The last and only word on the right side of this print is ‘still,’ suggesting that she believes the answer to that question may be yes.